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Download PINA movie in DVD, HD and DivX quality from ...
Release Date: January 20, 2012 (NY)
Studio: IFC Films
Director: Wim Wenders
Screenwriter: Wim Wenders
Starring: Not Available
Genre: Documentary
MPAA Rating: PG (for some sensuality/partial nudity and smoking)
Official Website: Not Available
Review: Not Available
DVD Review: Not Available
DVD: Not Available
Movie Poster: View here
Production Stills: View here
Download PINA Movie & Watch PINA online with highest DVD quality, Watch PINA Movie Online and Download PINA Movie utmost quality, watch PINA Online with Fast Streaming movie Experience, PINA by million of users, whole PINA download in speed without any time limit.
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To put this review in context, I went to see this film with no previous interest in contemporary dance. I have always put it into that category of 'things I just don't understand'. I understand it's a way of communication, but it's one that has never communicated to me. So my thoughts on this film probably won't have any interest to you if you are already a dance fan or a dancer or a fan of Pina Bausch in particular. But if, like me, you have heard that this is a visual feast of a film, or just that it is a Wim Wenders documentary, and are wondering whether to go see it for those reasons, this might help you decide.
I was a reluctant viewer because it was clear from the beginning that I still didn't 'get' it - what did it all mean? But visually, physically, this film ended up astounding me. It has stuck with me such that I can't stop thinking about it.
As a documentary, it doesn't do much to reveal its subject. It doesn't say much about how this woman thought, how she felt, her journey and what influenced it, what tortured her, what she was in denial about and how she related to the wider society. These are the revelations I expect in a 'great' documentary film. Films such as 'Man on Wire', 'Grizzly Man' or 'When We Were Kings'. Maybe those things are communicated though the dance itself. I don't know. Almost the whole film is dancing, interspersed with very short recollections from individual dancers. What these do get across are that Pina Bausch had a way of communicating with people and a depth of feeling that is unusual and wonderful. Those who worked with her (at least those that were interviewed) have the greatest love and admiration for her and what she was able to bring out of them. I ended up with a great feeling of admiration for her myself. Perhaps that was the point of the documentary.
But for me, it was the dancing and the way it was filmed that was astounding. It comes across with such intensity, such belief and such love, that I almost became a fan of contemporary dance. The sheer physicality. The bodies and what people could do with them. The beauty of movement. It is simply a joy to watch.
The quality of the visuals is startling. I saw it at a local arts centre which has a very good screen but I've never seen anything as sharp and as detailed as this. And the colours seemed more vivid than is usual. It was like discovering a new form of super high definition film. I understand it was filmed in 3D although I saw the 2D version. Still, it was amazing to watch. The way it is filmed also seems to work very well. It seems pretty straightforward. Most of the dance sequences are filmed quite simply on stage, but the framing seems to bring out the subjects well, even in 2D. Wenders has also filmed individual dancers or pairs of dancers in various outdoor locations - a city street, a road intersection, a train, an open cast mine. These little pieces are so beautiful and so unexpected. There is even one that is intentionally funny, where a girl gets on a train and pretends to be a robot monster. It's hilarious! So, for me a wonderful surprise. I still didn't end up understanding much of what Pina Bausch was trying to communicate but I enjoyed watching her try.
I was a reluctant viewer because it was clear from the beginning that I still didn't 'get' it - what did it all mean? But visually, physically, this film ended up astounding me. It has stuck with me such that I can't stop thinking about it.
As a documentary, it doesn't do much to reveal its subject. It doesn't say much about how this woman thought, how she felt, her journey and what influenced it, what tortured her, what she was in denial about and how she related to the wider society. These are the revelations I expect in a 'great' documentary film. Films such as 'Man on Wire', 'Grizzly Man' or 'When We Were Kings'. Maybe those things are communicated though the dance itself. I don't know. Almost the whole film is dancing, interspersed with very short recollections from individual dancers. What these do get across are that Pina Bausch had a way of communicating with people and a depth of feeling that is unusual and wonderful. Those who worked with her (at least those that were interviewed) have the greatest love and admiration for her and what she was able to bring out of them. I ended up with a great feeling of admiration for her myself. Perhaps that was the point of the documentary.
But for me, it was the dancing and the way it was filmed that was astounding. It comes across with such intensity, such belief and such love, that I almost became a fan of contemporary dance. The sheer physicality. The bodies and what people could do with them. The beauty of movement. It is simply a joy to watch.
The quality of the visuals is startling. I saw it at a local arts centre which has a very good screen but I've never seen anything as sharp and as detailed as this. And the colours seemed more vivid than is usual. It was like discovering a new form of super high definition film. I understand it was filmed in 3D although I saw the 2D version. Still, it was amazing to watch. The way it is filmed also seems to work very well. It seems pretty straightforward. Most of the dance sequences are filmed quite simply on stage, but the framing seems to bring out the subjects well, even in 2D. Wenders has also filmed individual dancers or pairs of dancers in various outdoor locations - a city street, a road intersection, a train, an open cast mine. These little pieces are so beautiful and so unexpected. There is even one that is intentionally funny, where a girl gets on a train and pretends to be a robot monster. It's hilarious! So, for me a wonderful surprise. I still didn't end up understanding much of what Pina Bausch was trying to communicate but I enjoyed watching her try.
Download IN THE LAND OF BLOOD AND HONEY movie in DVD, HD and DivX quality from ...
Studio: FilmDistrict
Director: Angelina Jolie
Screenwriter: Angelina Jolie
Starring: Zana Marjanović, Goran Kostić, Rade Šerbedžija, Vanesa Glodjo, Nikola Djurićko
Genre: Drama, Romance, War
MPAA Rating: R (for war violence and atrocities including rape, sexuality, nudity and language)
Official Website: Not Available
Review: Not Available
DVD Review: Not Available
DVD: Not Available
Movie Poster: Not Available
Production Stills: View here
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Angelina Jolie's In the Land of Blood and Honey trailer revealed
The Hollywood actor's directorial debut depicts a troubled relationship spanning the divide of the war in Bosnia
Love and war ... Jolie wades into the Bosnian crisis for her first directorial feature.
Angelina Jolie could hardly have chosen a more difficult directorial debut than In the Land of Blood and Honey. Jolie's self-penned film, which is set against the backdrop of the Bosnian war, caused outrage when the media reported that the plot revolved around a Bosnian rape victim falling in love with her Serbian attacker.
The Bosnian government briefly suspended Jolie's right to film in the country, while Bosnia's Association of Women Victims of War wrote to the United Nations calling for Jolie to lose her UN goodwill ambassador status.
According to the synopsis, the movie is a wartime love story between a Serb guard in a prison camp and his former girlfriend, a Bosnian Muslim detainee and does not contain any rape scenes. Jolie said that she was the victim of "unfair pressure based on wrong information" and eventually had her filming permissions restored.
Given the controversy, the film might have been released under the radar. Instead, the promotional campaign is churning into gear, starting with the release of the trailer. The film, which is shot in both English and Serbo-Croat, will be released in the US on 23 December.
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Studio: 20th Century Fox
Director: Cameron Crowe
Screenwriter: Aline Brosh McKenna
Starring: Matt Damon, Scarlett Johansson, Thomas Haden Church, Patrick Fugit, Elle Fanning, John Michael Higgins
Genre: Drama
MPAA Rating: PG (for language and some thematic elements)
Official Website: WeBoughtaZoomovie.com
Review: 7.5/10 rating
DVD Review: Not Available
DVD: Not Available
Movie Poster: Not Available
Production Stills: Not Available
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Cameron Crowe's We Bought a Zoo is a harmless movie about some very nice people who, yes, end up buying a zoo when they go looking for a new place to live. Unfortunately, while the movie is harmless, it's also not very interesting. Same goes for the people. They're nice and all, but don't seem to have a lot on their minds. Even the zoo animals seem kind of bored. This certainly isn't a bad movie, just a very familiar one.
The film is based on the true story of Benjamin Mee (played here by Matt Damon), a single father who is coping with the recent passing of his wife, and having to raise his two children on his own. His teenage son, Dylan (Colin Ford) is your typical isolated young man, who expresses himself by getting in trouble at school, and drawing graphic pictures of death in class. His younger daughter, Rosie (Maggie Elizabeth Jones), is one of those cloying little movie kids who always has something cute or clever to say on cue whenever the camera is pointed at her. He also has a supportive brother (Thomas Haden Church), who is mainly there for sarcastic comic relief. Benjamin decides the time has come for a change when Dylan is expelled from school, and he himself becomes fed up with his newspaper job, and walks off. He wants to start a new life for himself and his family.
He finds the perfect home somewhere in the Southern California countryside. Naturally, it's the one that the realtor seems the most nervous about, due to the fact that the house comes with its own struggling private zoo. In what has to be one of the biggest impulse buys in the history of cinema, Benjamin decides to buy the house when he sees how happy his little daughter is around the animals. I certainly hope there was more than that behind his decision to buy the property in real life. The family moves in, and they take charge of the zoo, which comes with its own staff of colorful stock characters. There's Kelly the zookeeper (Scarlett Johansson), who serves as somewhat of a love interest for Benjamin. The zoo's staff even has a teenage zookeeper (Elle Fanning) to act as a love interest for Dylan. There's an attempt at a subplot about Fanning's character trying to help Dylan come out of the emotional shell he's been in since his mother died. Too bad it never really works on an emotional level. Maybe if she had been written as an actual character, rather than someone whose main character trait is to smile a lot.
The rest of the staff is made up of eccentrics and oddballs that the movie can't think of anything to do with, so they're not worth mentioning. I understand what Crowe was going for here - He wanted to make a big-hearted movie about a family's emotional healing after a crisis, and how this family adventure of trying to run the zoo brought them closer together. You can literally see the screenplay co-written by Crowe trying its hardest to push our emotional buttons. You can also see him throwing just about every audience-pleasing trick in the book. A cute child, a shy teen romance, the struggle to save a sick tiger, a monkey who makes cute little reactions to what the characters say, a father trying to move on from his painful past, as well as connect with his emotionally distant son...It gets to be a bit much. I have not read the book that inspired this film, so I don't know if things actually happened this way. But, it felt awfully manipulative and contrived to me.
I was also put off by the severe tonal shifts that go on throughout the movie. The stuff concerning Damon and his son are actually pretty good, and there are some honest moments. But then, there are a lot of moments that are so overly sentimental or broad that they seem like they belong in a different movie. Thomas Haden Church is one of my favorite actors, but his role as the dry-witted brother is out of place. He's like a character on a sitcom, his every word a sarcastic quip. Equally out of place is John Michael Higgins, who plays the film's villain, a safety inspector who wants to close down the zoo, and does his best to find problems with it. Higgins plays the part too broad. As soon as he steps out of the car with that confident and smug smirk plastered on his face, you know what role he's supposed to play. And that smirk never leaves his face. It's like he's silently telling us at all times, "Yep, I'm a jerk. How can I be so terrible to these nice people? Don't you just hate me?"
We Bought a Zoo wants to wear its great big heart on its sleeve, and it does. But then, for some reason, it thinks we don't notice, so it keeps on hammering good, sunny feelings into each scene to the point that I started to feel assaulted by the film's manipulations. Like I said, I have not read the book that the film is based on, but I have a sneaking suspicion it's more honest and subtle than what's up on the screen. It has to be, because it's real life. This movie is an overly sunny, sitcom-level imitation of real life.
Download THE DARKEST HOUR movie in DVD, HD and DivX quality from ...
Release Date: December 25, 2011 (3D/2D theaters)
Studio: Summit Entertainment
Director: Chris Gorak
Screenwriter: Les Bohem, Jon Spaihts
Starring: Emile Hirsch, Olivia Thirlby, Max Minghella, Rachael Taylor, Joel Kinnaman
Genre: Action, Sci-Fi, Thriller
MPAA Rating: PG-13 (for sci-fi action violence and some language)
Official Website: DarkestHourmovie.com | TheDarkestHourisnear.com
Review: Not Available
DVD Review: Not Available
DVD: Not Available
Movie Poster: View here
Production Stills: View here
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Download EXTREMELY LOUD AND INCREDIBLY CLOSE movie in DVD, HD and DivX quality from ...
Release Date: December 25, 2011 (limited; wide: Jan. 20)
Studio: Warner Bros. Pictures
Director: Stephen Daldry
Screenwriter: Eric Roth
Starring: Tom Hanks, Sandra Bullock, Thomas Horn, James Gandolfini, Zoe Caldwell, Viola Davis, Jeffrey Wright, Max von Sydow
Genre: Drama
MPAA Rating: PG-13 (for emotional thematic material, some disturbing images, and language)
Official Website: ExtremelyLoudmovie.com
Review: Not Available
DVD Review: Not Available
DVD: Not Available
Movie Poster: Not Available
Production Stills: View here
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